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Hey everyone,

Just a quick journal to let you know that the long out of print HiFi Color for Comics instructional book is Being re-released again through a Kickstarter campaign!

Brian and Kristy Miller managed to get the rights back for the book from the original publisher and have been in the process of updating all of the existing content and putting together lots of new stuff for the modern age of comic book coloring. so even if you have the original book this will be fantastic as a resource and it will only get better the more we support it, check out the stretch goals and rewards.

The link is here…

spread the word and try your best to help in any way you can. it would be a great investment to the whole industry.

a shout out to :iconfableimpact: & :iconrosshughes: for bringing this to my attention.
More Journal Entries



Behave yourselves.

To be honest, that's about the only strict rule we have. We want to keep the gallery quality high - obviously this will mean not everyone's art is going to be accepted. We expect submitters to understand this and we will not tolerate hissy fits. Everyone is capable of frustration and, to a point, that's perfectly understandable. However, if it's constantly repeated, while we don't want to ban people (and dont yet really know how), if someone is repeatedly causing a stir because we didn't accept their work, we'll soon figure it out. This group is for professionals and people who want to be professionals, and we expect appropriate behaviour. So to spell it out completely so its absolutely clear - act professional!

With that unpleasantness out of the way...

While we have fairly high expectations for the gallery quality, we would like to keep the mood around this place pretty light hearted. Ideally we'd like to create a place here that you can be proud to submit your work to, and also be happy to hang out here and be a part of the community, and if everyone carries on in the same spirit we don't really need any more rules.

So here's how the group works
(this may be subject to change as we figure stuff out)

Membership: we have 3 basic levels of membership - you can only apply for basic membership, but all applications are automatically approved. We're happy for anyone & everyone to join the group, no matter what your interest in coloring.

Members - basic membership is intended for those who are starting out in coloring, but who aren't quite ready for professional work. Also welcome are publishers, studios and other prospective employers who'd like to keep an eye on our galleries, and anyone else who'd like to tag along, really. Members are elegible to enter group contests and submit announcements to the Promotions Pad. If any member's submissions to the group show consistent high quality they may be upgraded to...
Contributors - this group is reserved for those who have already shown they're ready to work in coloring (or very nearly), and as such you can only become a Contributor by invitation, or by having a normal membership upgraded. In addition to normal member benefits, Contributors can submit to all folders (including placing an ad-card in our 'for hire' gallery), and can vote on submissions (tho we ask that you don't vote for your *own* submissions - let's try to keep things relatively impartial ;D).
Moderators - once we get things going properly we'll be looking for a few moderators to help us run things. Moderators will need to know their stuff regarding coloring so will probably be drawn from our contributors, and each will be given a specific job within the group.


All submissions to the group are subject to voting. And we really mean all ... even the founders! We have very high expectations for submissions so make sure you're submitting only your best pieces. Also note that we only accept examples of coloring - if your submission is something you've colored over your own drawing we class this as illustration, and therefor not appropriate for this group. We have established a rough criteria for what will be accepted, so our voters should hopefully be fairly consistent. If your submission is not accepted and you don't understand why, please pop a comment in the submission-pending-box-thingy in your message center, and we'll do our best to explain our reasons.
A member can submit 1 piece per week into the member's and critique galleries, while a contributor can currently submit 2 pieces per day to any of the galleries. We will not accept any more than 2 submissions per person into the featured gallery per week.

Colorist for hire section:

... is a work in progress at the moment, but what we want to do with that section is allow contributors to submit promotional posters/info cards for themselves as colorists. The folder will appear on the front page with its entries set to random, so anyone looking for a colorist will be able to see your work and whatever information you would like to include.

We may also add a section for potential clients to post ads this same way.

Critique Corner:

Pretty self explanatory - this is where you post work you would like to receive feedback for. This is not an open submission folder for you to put whatever you want in - it will still be regulated, though not as highly as the rest of the galleries. We can't guarantee you'll always received critique, but what critique is given will be very honest. You may not always like what you hear, but we'll always try to do our best to help you improve your techniques.

Promotions Pad

If you have a new book coming out, a nice wee contest our members might enjoy, or really anything else related to coloring that you want to let everyone know about, the Promotions Pad is there for you. Just drop a note to the group, mark it PP in the subject-line (for example: PP - coloring contest), and we'll pop it up if it's appropriate. The Pad is prominently featured at the top of our main group profile, so should be seen by most of our visitors.


Promo pad

A bit of a delayed post (my fault!), but Rob's still looking, so drop him a line ...


Help me Colorists, You're My Only Hope!

Hello, my name is Rob Armstrong.
I used to pencil and ink for Dreamwave, then Marvel, DC and Image...back in the day. This past year I got married, and penciled a 26 page creator-owned horror-adventure book.

I am now looking to hire a colorist to color this book, plus covers, ads, etc.
The pay is good, and even though this is a Kickstarter project (looking to raise enough to publish a run of 5000 to start), I GUARANTEE PAY for the WHOLE project, WHETHER I REACH MY GOAL OR NOT.
Even if I only publish one copy just for myself, I will pay in full.
I would love for the production of colors to begin by Mid-April, with a page to be completed every 2-3 days (or faster if the quality rocks).

Anybody who applies would have to be OK with edits, and a deadline. This is a contract position.

This is an ad from the book - so you can see the style...and yes, its all JUST PENCILS (No inks) that I will clean before uploading:…

Here is a sample of my colors, which are crap, but give you a rough idea of the style I would like (you need to be better than me - which IS NOT HARD BECAUSE I SUCK AT COLORS), american-meets-anime cuts with some painting, no airbrushing:…

If you are interested, send me a note, link to your portfolio. If I like your style and think it would be a good fit, I will send you a sample page to color and an NDA.

I will pay for you to color the sample page, whether you're hired or not.

If the page rocks, I will send a contract because you're hired.

Questions? Send me a note!

Looking forward to conquering the world with you,
Rob Armstrong aka Robbie the Robot


Do you have a book coming out? Have you spotted a colouring contest? Is there something else you're just itching to let our members know about? Then this is the place for you!
The Promo Pad is here for any member who wants to get the word out about anything relevant to the group. It doesn't matter whether you're a colourist, a publisher or just an observant wanderer - if there's anything you think our members would like to hear about, let us know! Just drop us a note (marked "PP" in the subject), and I'll pop it up here!

updated 09-03-15


Useful links and resources

We will link to Colorist relevant resources here from DA and beyond! let us know if you find a great referance to share!

Great Groups:

Outside of DA:
Sean Ellery's website
Jonathan Glapion's Website…
Digital webbing forum…
Gutterzombie forum…


:iconcomics-practice: Comics-Practice :iconcomicforcolorist: ComicforColorist :iconindiegraphicnovels: IndieGraphicNovels Indie And Self-Published Artists :iconcomicartnetwork: ComicArtNetwork dA Comic Book Artists :iconbattle-artist: Battle-Artist Battle Artist


Add a Comment:
Jakub-Rejlich Featured By Owner Jan 26, 2015  Hobbyist General Artist
Currently looking for a digital colorist/Lineartist/inker for an online graphic novel..
All the details are here. Currently the offer stands at 60Usd Ppg
Applications close Friday.…
vdwayne Featured By Owner Oct 30, 2014  Professional Traditional Artist
Thanks for the add I really appreciate it!
ZackMurdock Featured By Owner Oct 28, 2014  Hobbyist Traditional Artist
Hey guys I really need your help on something! when you are flatting in photoshop and want to save your selections so you wont have to reselect every time while rendering and can just magic wand this, where and how would you do it? this would really help me out a huge deal, Thanks!
spidermanfan2099 Featured By Owner Nov 2, 2014
You don't need to save your selections dude! Putting flats down, as in block colours, means that the magic wand will make whole selections for you anyway (always save a the flats layer so you can make selections from it later on, do not work on the actual flats layer unless its a duplicate!).
RossHughes Featured By Owner Oct 29, 2014  Professional Digital Artist
Simply save your flats to a separate layer (or channel) and use the magic wand tool to select the area that you want to render.  Be sure to keep your flats aliased (with a hard edge) and keep the various elements' colors separate.  I will copy my flats layer onto a separate layer so that I can always go back to my flats if I need to re-render other areas, so be sure not to work directly onto your flats layer.
lassflat Featured By Owner Oct 16, 2014  Professional Artist

Hi everyone!

I’m an aspiring flat colorist, and I’m trying to push harder on my studies.
For that I’m able to do some flat works for FREE :D (Big Grin)

If you are a colorist and need some help, please contact me sending me a note!
ArtOfIDAN Featured By Owner Oct 5, 2014  Professional Traditional Artist
thanks for adding me [[:
ToxicFlint Featured By Owner Aug 8, 2014  Hobbyist Digital Artist

As you haven’t put together a ‘for hire’ section yet I’m not quite sure where I’m supposed to be posting this and if I’m putting in wrong place please except my apologies.

Hi, my names Graham Hersey and I’m a 31 year old artist living in the UK. I’ve made a few images now and coloured them myself but this time I’m looking for an inkist and colorist to take on my latest piece. I guess my most well known work is my Cross-over pieces of Renegade Rapunzel and that’s what I’m looking to do again but much more comic book style. My most faved picture from this collection is

Renegade Rapunzel by ToxicFlint

 I’ve uploaded a low quality photograph of what I want colouring (I will send proper picture out once artist's have been selected).

20140809 013235 by ToxicFlint

You’ll notice I’ve left enough space on the sides of the image to put all three artists’ names on the picture, either corner. I need examples of your works and prices please. The image is A3 sized, any questions please just let me know. I’m posting this on your home page and again in Notes to the group so it’s hopefully not missed.

Regards, ToxicFlint

SiriusSteve Featured By Owner Aug 6, 2014  Professional
Any fellow colorists bothered by how credit is always given to the penciler, while inkers and colorists don't always get put in the credits? I was looking at Hi-Fi studios' (a coloring studio with fantastic colorists) FB page this morning an noticed when they post their art they credit the artist on the pencils and not the other 2 artists. 
You'd hope a coloring studio would want to promote the importance of the colorist's art, but they're just promoting their name which (they credit the colors to the studio and not the artist), to me, they're continuing to promote comic pop culture that only gives appreciation to the penciler.
20+ years ago colorists basically just did flats, or even color by number. I feel I've always been an active ARTIST be it drawing or coloring. I believe changes should be made to give proper credit to all three artists. Today coloring is a form of painting, comic painting.
I guess I'm just wondering if my fellow colorists are feeling the same way. Thoughts?
RossHughes Featured By Owner Aug 8, 2014  Professional Digital Artist
I'll try to keep this short, but that's not usually my style.

If I'm not mistaken, Brian and/or Kristy Miller aren't always the ones updating the FB page, so there are times where whoever is updating the page probably won't know who actually colored it.

BUT, even if they did know, I don't really think it matters.  Sure it would be nice to get some individual credit for the pages we do for the studio, it's not really the point of their page.  It's about promoting the studio to get the studio exposure and (hopefully) more work.  I, and probably everyone else within the studio, have their own individual FB pages and can post their individual pages that they colored to promote themselves.

It's just not always feasible to break down everyone involved in coloring a book for the studio because it just takes too much time to try to figure out who was involved and what specific pages they were assigned.  Keep in mind that by the time we're allowed to post our work, it's been almost a month since we've done the actual work.  You can't really expect people to go back and figure out who was involved in an issue (usually 3-5 people per book) for all of the books that we're involved in.  We're coloring 3-6 books a month so it's got to be a hassle to try to credit everyone involved for their individual contributions.  Additionally, there can be a lot of adjustments, and sometimes recoloring, that goes into the pages after we've turned them in to the studio to keep things uniform, improve the look, or just set a tone for a book.  So even though we may have done the lion's share of the work on a page, it may not end up getting used in exactly the way we've done it.  In the end, we're working for the studio, so the studio is credited for the work.  You don't see McDonalds FB page giving credit to the fry cooks.  ;)

Brian has done a really good job at promoting a colorist's contributions to the process.  I'm not sure where a contrary opinion to that would be coming from.  Not to mention his contributions toward helping people get started with coloring with his books, classes, and workshops.
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